Richter Gerhard

German visual artist. Richter has simultaneously produced abstract and photorealistic painted works, as well as photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artists obligation to maintain a single cohesive style. Richter is regarded as the top-selling living artist. In October 2012, Richters Abstraktes Bild set an auction record price for a painting by a living artist at £21m ($34m). This was exceeded in May 2013 when his 1968 piece Domplatz, Mailand (Cathedral square, Milan) was sold for $37.1 million (£24.4 million) in New York. He grew up in Reichenau, Lower Silesia, and in Waltersdorf (Zittauer Gebirge), in the Upper Lusatian countryside. He left school after 10th grade and apprenticed as an advertising and stage-set painter, before studying at the Dresden Academy of Fine Arts. In 1948, he finished higher professional school in Zittau, and, between 1949 and 1951, successively worked as an apprentice with a sign painter, a photographer and as a painter. In 1950 his application for tuition in the Dresden Academy of Fine Arts was rejected as "too bourgeois". (This was communist east Germany). He finally began his studies at the Dresden Academy of Fine Arts in 1951. His teachers were Karl von Appen, Heinz Lohmar (de) and Will Grohmann. In the early days of his career, he prepared a wall painting (Communion with Picasso, 1955) for the refectory of his Academy of Arts as part of his B.A. Another mural followed at the German Hygiene Museum entitled Lebensfreude (Joy of life), for his diploma and intended to produce an effect "similar to that of wallpaper or tapestry". Both paintings were painted over for ideological reasons after Richter escaped from East to West Germany two months before the building of the Berlin Wall in 1961; after German reunification two "windows" of the wall painting Joy of life (1956) were uncovered in the stairway of the German Hygiene Museum, but these were later covered over when it was decided to restore the Museum to its original 1930 state. From 1957 to 1961 Richter worked as a master trainee in the academy and took commissions for the then state of East Germany. During this time, he worked intensively on murals like Arbeiterkampf (Workers struggle), on oil paintings (e.g. portraits of the East German actress Angelica Domröse and of Richters first wife Ema), on various self-portraits and furthermore, on a panorama of Dresden with the neutral name Stadtbild (Townscape, 1956). When he escaped to West Germany, Richter began to study at the Kunstakademie Düsseldorf under Karl Otto Götz. With Sigmar Polke and Konrad Fischer (de) (pseudonym Lueg) he introduced the term Kapitalistischer Realismus (Capitalistic Realism) as an anti-style of art, appropriating the pictorial shorthand of advertising. This title also referred to the realist style of art known as Socialist Realism, then the official art doctrine of the Soviet Union, but it also commented upon the consumer-driven art doctrine of western capitalism. Richter taught at the Hochschule für bildende Künste Hamburg and the Nova Scotia College of Art and Design as a visiting professor; he returned to the Kunstakademie Düsseldorf in 1971, where he was a professor for over 15 years. In 1983, Richter resettled from Düsseldorf to Cologne, where he still lives and works today. In 1996, he moved into a studio designed by architect Thiess Marwede. Richter married Marianne Eufinger in 1957; she gave b Read less